Firewall
A few nights ago we watched Firewall, a Harrison Ford movie where Indiana Jones reincarnates and kicks butt. Okay, not quite Indiana Jones, but Ford, who looks older and more wizened that his 65 years, still was able to beat the crap out of athletic bad guys half his age—-even though he was supposed to be a three piece suit type who sits in a bank and doesn’t get out much.
I did like the movie, despite the need to suspend the imagination, but I don’t know why Hollywood has given up on its own imagination. Like so many movies which have come out recently, this film had to include a silly and somewhat unbelievable medical crisis that is of course instantaneously resolved.
Firewall, in brief, is about a family held hostage with the threat of death, if the father (Ford) doesn’t do what the bad guys want. Of course, there is a child who has a life threatening allergy to peanuts, and this theme is really getting tiresome. I don’t know how many movies have come out recently that have the “child in peril.” You know right from the start, as soon as they mention the asthma, diabetes, allergy, etc, that the kid is going to have an attack and that is going to alter plans, get the parents to give in to demands, or have the bad-guy-with-the-conscience intervene. It is like, so boring already.
Anyway, in this film, the 12 year old boy has a severe allergy to peanuts. So of course, you know that sooner or later, he’s going to have a reaction. One of the bad guys gives the kid a snack and swears there are no peanuts. So the kid eats it. This scene alone challenges the intelligence—if you were a kid with a severe peanut allergy that you knew could kill you, and the chief bad guy with a big gun who has invaded your home and is threatening your family offers you a snack, would you eat it? This kid must have the IQ of a donut hole, and his lack of fear was also a little annoying.
But anyway, he goes into the movie version of anaphylactic shock. He becomes unconscious, looking nice and pink and healthy. While you can lose consciousness, generally, a severe reaction will cause trouble breathing as the throat swells–ie, lots of wheezing and gasping for air, and yes, the person will turn pale and blue. You can get a rash, vomit, moan and groan in pain—it is pretty rare that someone will eat the offending item and plop down into a sweet and peaceful coma.
Okay, so mom and pop are in a frenzy, screaming and crying and trying to revive their kid. Not sure how shaking him is going to revive him, and then it turns out that the bad guy has stolen the kid’s epinephrine. Ford pleads for it, so finally bad guy relents. They give him the shot, and the kid pops back to life like a jack in the box. He’s wide awake in an instant, no residual effects, nothing.
This scene really has to be added to the annals of idiotic celluloid medical escapades. In fact, beyond idiotic, and there really wasn’t any reason to make this scene so far removed from reality. Wouldn’t having the kid wheeze and gasp be more dramatic?
But the bottom line is that the kid in peril was totally unnecessary for the movie. It added nothing, and in fact, took away from the realism. These tired cliches really dumb down movies and TV shows, and just waste our time.



